Marlise Goidanich
Cello
Marlise Goidanich, a Brazilian, obtained a Degree in Music Education from the Federal University of the Rio Grande do Sul and Advanced Instrument Studies at the Paraná School of Music and Fine arts with professor Maria Alice Brandão. In Italy, she received her diploma on baroque cello from the International Music Academy in Milan with Gaetano Nasillo and the second-level 2-year degree on baroque cello at the Novara Conservatory.
From 1990 to 1998 she participated in the Conjunto de Camara de Porto Alegre, a medieval music group which she recorded the CD “Trovadores Medievais” with. In 1992 and 1998, group received awards from the City of Porto Alegre for that recording.
She has participated in various cello and chamber music courses with Martin Ostertag, Fred Pot, Robert Bex, Antonio Menezes, Gautier Capuçon, Jerome Ducròs, Maria Alice Brandão, Gaetano Nasillo, Mime Yamahiro, Anatoli Krastev, Nina Tobias, Darrett Adkins e Fabio Presgrave.
As a cellist, she has played regularly with the Novo Hamburg Youth Philharmonic Orchestra, the string orchestra of the Federal University of the Rio Grande do Sul’s “Projeto Prelúdio”, Porto Alegre Cello Orchestra, “Theatro São Pedro” Chamber Orchestra, the “Celloessência” Cello Quartet, the “Nova Camerata” group of contemporary music, and the “Solistas do Paraná” Orchestra. As principal cellist, she has worked in the PUC-PR Chamber Orchestra and in the Jaraguá do Sul Philharmonic Orchestra. She has collaborated with the Parana Symphony Orchestra and with the “Solistas de Londrina” Orchestra.
As a teacher, she participated in the “Extensão da Universidade Vale dos Sinos” course, has taught music education, cello and recorder at the “Pastor Dohms” school, the “Colégio Adventista do Boqueirão” and the “Cultura Artística Society’’ of “Jaraguá do Sul”.
In 2003 she received a Marco Fodella Foundation scholarship to study baroque cello with Gaetano Nasillo at the International Academy of Music in Milan.
During the years 2004/2005 and 2006/2007, she was the Academy’s baroque orchestra scholarship recipient and in 2005, scholarship recipient for the XII Baroque and Classical Orchestra Training Course of the “Academia Montis Regalis” of Mondovì.
In 2004 and 2005, she was invited as professor of cello to the Porto Alegre (Brazil) Festival of Early Music and in 2006 to Porto Alegre’s XII Cello Meeting.
In Italy she has participated in baroque orchestra and chamber music seminars with Trevor Pinnock, Lorenzo Ghielmi, Enrico Onofri, Antonio Frigè, Paolo and Alberto Grazzi, Gaetano Nasillo, Daniele Bragetti, Mara Galassi, Stefano Montanari, Alessandro Tampieri, Mario Valsecchi as well as baroque cello lessons with Mauro Valli and Marco Testori.
She collaborates with numerous early music groups including “Ensemble Turicum” (Zurich), “Musica Rara”, “Accademia Litta”, “Ensemble Estro Cromatico” , “Ensemble Pian&Forte”, “Cappella Mauriziana”, “Ensemble Dolcimelo” in Milan, “Il Tempio Armonico” in Verona, “Concento Ecclesiastico” in Genoa and “Concerto de’ Cavalieri” in Rome.
Marlise has collaborated also with modern artists and groups like Renato Borghetti, “Avion Travel” and “Max de Aloe Quartet”.
She recorded for “Amadeus”, “Stradivarius”, “Brilliant Classics”, “Deutsche Harmonia Mundi”, “Paraty” , “Abeat Records” and “Bongiovanni”.
Marlise Goidanich
Violoncello
Nata in Brasile, ha conseguito la laurea in Educazione Artistica – Musica all’Università Federale del Rio Grande do Sul e la laurea in Violoncello presso la Scuola di Musica e Belle Arti del Parana, con la professoressa Maria Alice Brandão.
Nel 2003 ha vinto una borsa di studio della Fondazione Marco Fodella per studiare in Italia violoncello barocco presso l’Accademia Internazionale della Musica a Milano, sotto la guida del maestro Gaetano Nasillo.
Dopo il diploma, ha continuato gli studi di violoncello barocco presso il Conservatorio Guido Cantelli di Novara, dove ha conseguito il diploma di secondo livello.
In Italia ha ricevuto altre borse di studio: Orchestra Barocca dell´Accademia Internazionale della Musica (2005 e 2007), Corso di Formazione Orchestrale Barocca e Classica dell´Accademia Montis Regalis di Mondovì (2005).
Dal 2003 ha partecipato in Italia a seminari di orchestra barocca e musica da camera con vari insegnanti, tra cui Trevor Pinnock, Lorenzo Ghielmi, Enrico Onofri, Stefano Montanari, Paolo e Alberto Grazzi, Mara Galassi.
Ha suonato stabilmente e collaborato con numerose formazioni in Brasile, Italia e Svizzera, tra le quali “Ensemble Turicum” e Orchester Collegium Cantorum (Zurigo), Orchestra da Camera “Milano Classica”, “LaBarocca”, Orchestra “Coin du Roi”, Ensemble “Silete Venti”, “Ensemble Pian&Forte”, Orchestra “Arteviva” (Milano), Ensemble La Concordanza (Monza), Ensemble “Il Falcone” e “Concento Ecclesiastico” (Genova), Orchestra Barocca di Pietra Ligure, “Concerto de’ Cavalieri” (Roma), “Venice Baroque Orchestra” (Venezia) “Orchestra Sinfonica del Parana” , “I Solisti di Londrina” (Brasile).
E’ membro di diverse formazioni di musica da camera, tra cui l’ ensemble “L’Enharmonique” e il trio con Angelo Colletti e Andrea Ruffili spaziando dal repertorio barocco a quello contemporaneo.
Nell’ambito della musica moderna ha accompagnato artisti come Renato Borghetti, Avion Travel e Max de Aloe Quartet. Insieme all’ armonicista Max de Aloe ha creato il duo “Mutamenti”.
Ha inciso per le case discografiche “Amadeus”, “Stradivarius”, “Brilliant Classics”, “Deutsche Harmonia Mundi”, “Abeat Records” , “Paraty” e “Bongiovanni”
Da molti anni segue un percorso come insegnante di violoncello presso scuole di musica brasiliane e italiane.
Attualmente insegna violoncello presso il liceo musicale “Vincenzo Appiani” a Monza e la scuola “Ricordi Music School” a Milano.
Further recordings of this artist
in the Barnum Catalogue:
Mutamenti